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Playwright Terrence McNally was awarded the Dramatists Guild Lifetime Achievement Award in 2011. He is the winner of Tony Awards for his plays Love! Valour! Compassion! and Master Class and his books for the musicals Ragtime and Kiss of the Spiderwoman. His other plays include Frankie and Johnny in the Clair de Lune; Lips Together, Teeth Apart; Corpus Chritsti; A Perfect Ganesh; The Ritz; It’s Only a Play; Some Men; Golden Age; Deuce; The Lisbon Traviata; Bad Habits; The Stendhal Syndrome; Dedication or the Stuff of Dreams; Next; Unusual Acts of Devotion; Sweet Eros; Witness; Where Has Tommy Flowers Gone? and his first play... And Things That Go Bump in the Night. He has written the books for the musicals The Full Monty; A Man of No Importance; The Visit and The Rink. He won an Emmy Award for Best Drama with his teleplay Andre’s Mother. He wrote the screenplays for Frankie and Johnny, Love! Valour! Compassion! and The Ritz. He wrote the libretto for the opera Dead Man Walking with music by Jake Heggie. Among his many awards are a Citation from the American Academy of Arts and Letters, the New York Drama Critics Circle Award for Best New Play, four Drama Desk Awards, three Hull-Warriner Best Play Awards from the Dramatists Guild, two Obies, two Lortel Awards and two Guggenheim Fellowships. Mr. McNally has been a member of the Dramatists Guild since 1965 and served as its VicePresident from 1985 to 2001.



Director Arturo Catricala is another frequent NCTC collaborator, most recently directing Jon Robin Baitz’ Other Desert Cities, the Bay Area premiere of The Homosexuals by Philip Dawkins, the world premiere of Rights of Passage, as well as productions Master Class, A Perfect Ganesh, and the West Coast premiere of The Pride. He attended Fordham University at Lincoln Center and NYU School of the Arts where he studied stage directing with Carl Weber of the Berliner Ensemble and Mel Shapiro. Mr. Catricala is a member of SDC, the national labor union representing Stage Directors and Choreographers.



“A resonant elegy for a ravaged generation, Mothers and Sons wears its significance defiantly." - New York Times


“A moving reflection on a changed America." - Chicago Tribune


"A masterpiece. McNally is one of the greatest contemporary playwrights the theatre world has yet produced.Mothers and Sons is profound. Heartbreaking. Triumphant." - NY Observer


"Fantastic! McNally captures a moment of hope and promise. Mothers and Sons feels like the sun on your face!” -NBC New York